Virtosu’s works are images that spring from a psyche enriched with a broad and experienced worldview. Each piece is singular, yet each carries a genuine complexity of meaning. His imagery can be puzzling and other-worldly, though they tell much of the world of which they are a part - the world of complexity and variable motivations in which we all live our lives.
The first definition for the word “abstraction” in the Oxford dictionary deals with “ideas rather than events,” the opposite of “concrete,” and the second definition alludes to art. The viewer is invited to experience artistic version of the legacy of Saddam Hussein.
Over a decade after his death, Saddam’s legacy remains a divisive issue. The instability in Iraq, caused in part by the war, means that some Iraqis long for the security of tyrannical rule, while others cannot forget the extreme brutality he unleashed on the Iraqi people.
An Iraqi journalist says ‘Iraqi society cannot forget him even after his death because some of us still love him and the rest are still afraid of him’
Line is a crucial element in the structure of a painting, and explains why drawing was regarded by all Renaissance experts as the greatest attribute of an artist. And we see Virtosu’s lines are of exclusive quality.
Virtosu’s lines define and often contain fields of color but his paintings do not evoke a sense of stillness, delineating forms, allowing colors to move and expand into each other. His paintings suggest fluidity and motion, like time is passing before the viewer’s eyes.
Skillful use of color acts as a emotion stimulus, leading the viewer to a figure or scene, and add depth to the semi-abstract work. Executed in paint these explosive canvas range from action red and blue, and some black to the centerpiece that leads to interpretation of our figure along the gold. Brown and grey background resembles the image of an intense disastrous fire covering the sky with smoke.