Isaac and Ishmael. Painted 2014 to 2016 by British contemporary artist, Gheorghe Virtosu, b. 1968. Oil painting, 191 cm high by 138 cm wide. 75 X 54 inches. Abstract art.
In his Isaac and Ishmael canvas the abstract artist conveys the sense of drama and action through the complex and vibrant oil painting texture, done with loose, gestural brushwork, and intensive palette. The Isaac and Ishmael canvas becomes the substance the artist uses to ‘sculpt’ the image. The brush can touch the surface delicately, or attack it with a swiping gesture, leaving tangible furrow-like traces. In order to amplify the sense of contradiction, he captures those bold, improvisational brushstrokes within the clear, well-thought outlines of geometric drawing. The title Isaac and Ishmael creates the bridge between his artwork and the viewer, giving the key to the interpretation of the oil painting image. Paradoxically, the artist doesn’t oust but welcomes the reality into his paintings. If our vision can grasp landscapes and faces in the accident blots, the same way it can ‘deconstruct,’ eliminate the integrity of an object’s image. Gheorghe Virtosu’s Isaac and Ishmael oil painting proves the connection between Objective and Abstract. That purified natural form becomes the basic artistic material for the painter. The artist doesn’t copy the natural forms but rather follows their dynamics and movement: sudden twists of the line, compositional pauses, coloristic bursts are consonant with the natural processes of birth, growth, and decay. The master of oils blurs the borders between ‘narrative’ and ‘non-narrative art,’ asking us “What is the reality, if not one of the most abstract things in the world?”
Two brothers, Arab and Jew. One remaining in the Old World, the other in an advanced vision quest. The discrepancy comes out of Devine breath.