Franz Kline Virtosu Art Gallery

Franz Kline Abstract artist Bio

Franz Kline was born on May 23, 1910, in Wilkes-Barre, Pennsylvania. He studied painting and drawing at Boston University (1931–35), and drafting and illustration at the Heatherley School of Fine Art, London (1937–38). After returning to the United States, he settled in New York, where he produced traditional cityscapes and interior scenes and, in the early 1940s, won awards at several National Academy of Design Annuals.

Franz Kline paintings

Kline soon began experimenting with small black-and-white brush drawings after Willem de Kooning introduced him to abstraction. At the end of the decade, De Kooning’s use of a Bell-Opticon projector inspired Kline to project his brush drawings onto his studio wall, transforming them into large-scale ideograms. These experiments marked the beginning of Kline’s characteristic abstractions incorporating powerful lines and rapidly developed gestures of black paint on white ground. Compositions such as Wotan (1950–51) prompted speculation about the influence of East Asian calligraphy on Kline’s practice; he denied these claims, stating that he fully intended the images to evoke the known or recognizable while avoiding literal references. Kline employed intense tonal contrasts, often working at night under strong light. His use of housepainters’ brushes produced tiny splatters and inflections on the canvas that enhanced the explosive quality of his black lines.
"People sometimes think I take a white canvas and paint a black sign on it,but this is not true.I paint the white as well as the black and the white is just as important." - Franz Kline

Like many fellow Abstract Expressionists, such as De Kooning and Mark Rothko, Kline took his work in several different directions in the late 1950s. He produced a sequence of exceptionally large, horizontally oriented works known as the “wall paintings” (1959–61), the monumentality of which would be echoed in later paintings by Robert Motherwell and Clyfford Still. He also introduced harsh and strident color, as in King Oliver (1958). He spent a month in Europe, traveling mostly in Italy, in 1960. Two years later, at the peak of his career, Kline died of heart failure on May 13, 1962, in New York.

Franz Kline abstract art

In the decade before his death, Kline’s work was included in numerous international exhibitions, including the Venice Biennale (1956, 1960); Documenta, Kassel, West Germany (1959); São Paulo Biennial (1957); and Whitney Annuals and Biennials (1952, 1953, 1955, 1961). The Washington Gallery of Modern Art, Washington, D.C., organized a memorial exhibition (1962). Major monographic exhibitions have also been held at the Whitney Museum of American Art, New York (1968); Phillips Collection, Washington, D.C. (1979); Cincinnati Art Museum (1985); Menil Collection, Houston (1994); Fundació Antoni Tàpies, Barcelona (1994); and Castello di Rivoli–Museo d’arte contemporanea, Italy (2004).

"The final test of a painting, theirs, mine, any other, is: do the painter's emotions come across?" - Franz Kline

Franz Kline Artist statement

You paint the way you have to in order to give. That's life itself, and someone will look and say it is the product of knowing, but it has nothing to do with knowing, it has to do with giving.

I paint not the things I see but the feelings they arouse in me.

Untitled, 1959
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Franz Kline, Untitled, 1959 Virtosu Art Gallery

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