Franz Kline was born on May 23, 1910, in Wilkes-Barre, Pennsylvania. He studied painting and drawing at Boston University (1931–35), and drafting and illustration at the Heatherley School of Fine Art, London (1937–38). After returning to the United States, he settled in New York, where he produced traditional cityscapes and interior scenes and, in the early 1940s, won awards at several National Academy of Design Annuals.
Like many fellow Abstract Expressionists, such as De Kooning and Mark Rothko, Kline took his work in several different directions in the late 1950s. He produced a sequence of exceptionally large, horizontally oriented works known as the “wall paintings” (1959–61), the monumentality of which would be echoed in later paintings by Robert Motherwell and Clyfford Still. He also introduced harsh and strident color, as in King Oliver (1958). He spent a month in Europe, traveling mostly in Italy, in 1960. Two years later, at the peak of his career, Kline died of heart failure on May 13, 1962, in New York.
In the decade before his death, Kline’s work was included in numerous international exhibitions, including the Venice Biennale (1956, 1960); Documenta, Kassel, West Germany (1959); São Paulo Biennial (1957); and Whitney Annuals and Biennials (1952, 1953, 1955, 1961). The Washington Gallery of Modern Art, Washington, D.C., organized a memorial exhibition (1962). Major monographic exhibitions have also been held at the Whitney Museum of American Art, New York (1968); Phillips Collection, Washington, D.C. (1979); Cincinnati Art Museum (1985); Menil Collection, Houston (1994); Fundació Antoni Tàpies, Barcelona (1994); and Castello di Rivoli–Museo d’arte contemporanea, Italy (2004).